Emmanuel Frankenberg specialized in early music already at early age. He is both harpsichord player and natural horn player.
After studying the two major subjects at the Royal Conservatory of The Hague, he currently studies the two instruments at the Conservatorium van Amsterdam (harpsichord with Menno van Delft and natural horn with Teunis van der Zwart). Besides these studies he focuses on baroque improvisation. In 2015 he took part in the improvisation program on historical organs in Kirchheimbolanden.
Emmanuel is a regular member in Collegium 1704, Symphonie Atlantique, the Goldfinch Ensemble, and has performed with groups such as de Nieuwe Philharmonie Utrecht, Musica Amphion, Capriccio Stravagante, Orchestra of the 18th Century, Akademie für Alte Musik Berlin, Concerto Copenhagen and others.
Noyuri Hazama is a violin player gratuated in 2010 First ranking of “Toho Gakuen School of Music” in Tokyo. Currently studying the Baroque Violin under guidance of Mr. Ryo Terakado at “The Royal Conservatoire Den Haag”, she has performed throughout Europe and Asia.
Member of “Classical Players Tokyo” and “Bach Collegium Japan”, she is also concertmistress of “Majora Canamus Tokyo”. From 2007, she performed annually for “La folle Journée au Japon”. The different projects in wich she participates have notably enabled her to played with Werner Hink, Antony Spiri and principal players of the Vienna Phiharmonic Orchestra at “Kusatsu International Summer Music Festival”, for “the Master pieces album” of NHK broadcast in 2011, Violin Recital with Masato Suzuki. In 2013, she played with Kuijken familly and Mr. Robert Kohnen at “Fukuoka early music festival. She also won Third Prize in “The All Japan Students’s Music Competition”(2003) and First Prize in “Japan-German Exchange Festival (2004). Noyuri had the opportunity to play with Mr. Frans Bruggen and members of Orchestra of the Eighteenth Century” in 2014. In 2015 she will play at BBCProms as a Academy of “The Orchestra of the Age of Enlightenment”.
Discovering the viola da gamba at the age of eleven, Salomé Gasselin began and completed her initial study of the instrument at the Conservatories of Angers and Nantes. Studying with Emily Audouin, Marion Middenway and Julien Léonard induced her to participate in various international summer courses where she worked with famous viola da gamba teachers and concert instrumentalists such as Wieland Kuijken, Emmanuel Balssa, Josh Cheatham and Paolo Pandolfo. In 2011, she entered Marianne Muller’s viola da gamba class at the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMD).
In 2015, she is studying with Philippe Pierlot and Mieneke van der Velden at The Royal Conservatory of The Hague.
The different projects in which she participates have notably enabled her to play the viola da gamba in various orchestras: Capriccio Stravagante (dir. Skip Sempé), Pygmalion (dir. Raphael Pichon). She has performed throughout Europe in famous festivals : MA Fringe Festival in Bruges, Festival Oude Muziek Utrecht , BOZAR music in Brussels, International Festival of Lyric Art in Aix en Provence. Interested in Literature, she decided to enroll at the University of Paris X as well.
Pablo was born in 1991 in San Cristóbal de La Laguna, Tenerife. He started to study flute in the conservatory of Santa Cruz de Tenerife, where he finished his Intermediate degree with Catherine Biteur with honors and special award. In 2009 he was admitted in the Royal Conservatory of Madrid. He studied with Manuel Rodríguez Arribas and he graduated in 2013 with honors. While he was studying in Madrid he became interested in early music and he started to play traverso. In 2013 he was admitted for the Early Music Performance Master in Barcelona, where he studied traverso with Marc Hantai. Nowadays he is studying master course of baroque and classical flute in Koninklijk Conservatorium Den Haag with Wilbert Hazelzet and Kate Clark.
He takes part of The Goldfinch Ensemble, who got the second prize in the International Early Music Competition in Loire Valley, with William Christie chairing the jury. He has played in some early music ensembles like Luthers BachEnsemble or Kapella 19. He also took part in a project with the Eighteenth Century Orchestra, conducted by Marcus Creed, and other projects with Pieter-Jan Belder and Kate Clark. He played modern flute in some orchestras like Orquesta y Coro de la Comunidad de Madrid, Orquesta Filarmonía orJoven Orquesta de la Comunidad de Madrid.